
ALICIA DOEBLER

Fabric becomes an experiment in
installation.


Original drawings scanned into computer and then colored in different programs. Printed out on silk on large format printer. Lighter images printed on silk gauze are then sewn on in various areas.

Original drawings scanned into computer and then colored in different programs. Printed out on silk on large format printer. Lighter images printed on silk gauze are then sewn on in various areas.

Original drawings scanned into computer and then colored in different programs. Printed out on silk on large format printer. Lighter images printed on silk gauze are then sewn on in various areas.
![]() Floating CarapaceOriginal Drawings converted into digital Images then printed onto silk and installed in gallery windows. 9’6’’x 38’. 2013 | ![]() Floating CarapaceOriginal Drawings converted into digital Images then printed onto silk and installed in gallery windows. 9’6’’x 38’. 2013 |
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![]() Floating CarapaceOriginal Drawings converted into digital Images then printed onto silk and installed in gallery windows. 9’6’’x 38’. 2013 |
The original digital file used to make these silk pieces are shown to the right, nearly 9 and a half feet worth of fabric was hanging from the gallery windows of the museum in this installation. The transparency of the fabric was important in displaying fragility comparable to that of skin.
