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Fabric becomes an experiment in 

installation.

2013
Floating Carapace

Floating Carapace

Original Drawings converted into digital Images then printed onto silk and installed in gallery windows. 9’6’’x 38’. 2013

Floating Carapace

Floating Carapace

Original Drawings converted into digital Images then printed onto silk and installed in gallery windows. 9’6’’x 38’. 2013

Floating Carapace

Floating Carapace

Original Drawings converted into digital Images then printed onto silk and installed in gallery windows. 9’6’’x 38’. 2013

The original digital file used to make these silk pieces are shown to the right, nearly 9 and a half feet worth of fabric was hanging from the gallery windows of the museum in this installation.  The transparency of the fabric was important in displaying fragility comparable to that of skin.

2013
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Printing isochronism through artist's hand to a digital medium.

 

​Throughout the years of having worked with the mental and physical anomalies within myself, I have combined the methods digital programs, photography, and my own hand to help create worlds of tumult throughout my piece. While originally my outcomes were more traditional, they have morphed into a digital/print hybrid where the abacus experience and the artist's hand are made to reflect the aberrant happenings within the enigma of ourselves.

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